Founded in 1976, the School of Criticism and Theory brings together a diverse group of scholars from around the world, addressing an ever-expanding arrangement of cultural, political and social movements, theoretical axes and intersecting debates across the humanities and social sciences.
In an intensive course of study, graduate students and faculty enroll in one of three seminars--led by Denise Ferreira da Silva, Fred Moten, or McKenzie Wark--to explore recent developments in critical theory in exciting, multilayered discussions. The whole school comes together for lectures, workshops, and work-in-progress conversations.
NEW! Undergraduate Track
Undergraduates convene in small groups for a two-week mini-session and individual mentoring around research and theory.
The School of Criticism and Theory at Cornell University, a six-week summer program that serves as a hub for interdisciplinary inquiry in the humanities and social sciences, celebrated its 50th anniversary with events June 16-17.
Coming from the University of Toronto, where he was the director of the Munk School of Global Affairs and Public Policy, Loewen began his five-year appointment as the Harold Tanner Dean of the College of Arts and Sciences Aug. 1.
I had the honor of being named the new director of Cornell University’s School of Criticism and Theory earlier this year. SCT is approaching its 50th anniversary and the mission is as relevant today as it was 50 years ago. Attending the 2023 end-of-summer banquet, it was thrilling to see so many young scholars committed…
Professor Anthony Vidler, whose passing last week we deeply mourn, offered a wonderful mini-seminar and public lecture at SCT in the summer of 2017. The lecture was entitled "The Smooth and the Rough: Surfaces Psychological and Architectural from Adrian Stokes to Rem Koolhaas" and introduced by former Cornell Provost Don Randel. The lecture and public…
We are thrilled to share 2023 Faculty, Dianne M. Stweart's new book, Obeah, Orisa, and Religious Identity in Trinidad: Africana Nations and the Power of Black Sacred Imagination, Volume II, Orisa